Hailing from Olympia, Washington, Storm Boy is a post-hardcore collective that fuses the raw angst of the pandemic era with a fierce, joyful energy designed for both the picket line and the dance floor. Originally formed as a solo outlet for songwriter Chas Roberts, the group solidified into a powerhouse quartet featuring drummer Jeremy Anderson, bassist Kuba Bednarek, and guitarist Charli Beaumont, known for their high-energy performances in unconventional venues. After their 2024 EP, SUPERPOSITION!, earned critical acclaim and comparisons to legends like Fugazi and IDLES for its "brilliantly different" approach, the band is set to release their debut LP, Beast Machine Theory, this week. This new album encapsulates the band’s evolution from garage-born roots to a polished, multi-dimensional force, a milestone they will celebrate with an upcoming tour across the Northeast.

BANG BANG is a veteran fixture of the Polish music scene, having maintained a continuous presence as a punk rock outfit for nearly four decades. Emerging from Legionowo, a town near Warsaw, shortly after the 1977 British punk explosion, the group established a signature sound rooted in the genre's original wave while navigating the challenges of martial law and the eventual transition from communism. The members describe themselves as mental punks whose longevity is fueled by an addiction to using music as a tool for social critique and rebellion.

The band's evolution has been marked by a strong DIY ethic, shifting from early unofficial cassette releases to more polished studio albums like their 2024 project, The Last Punker, which offers a mature, nostalgic reflection on global tragedies and the transience of life. Over the years, their lineup and sound have been influenced by diverse experiences, including a stint playing covers in pubs and the melodic contributions of female vocalist Monika ("Lidka"). Beyond their music, the group remains committed to social activism through the "Music Against Racism" movement, aiming to use their platform to unite listeners and reach a new generation of fans globally.

As they prepare to unveil their third studio album in early 2026, the Manila-based nu metal powerhouse Saydie is entering a new era of artistic maturity and global reach. Fronted by Kat, the band has spent the last several years touring internationally, bridging the gap between the raw energy of the Philippine metal scene and diverse audiences worldwide. Their recent creative output, epitomized by the single "Yawa," leans into a heavier and more visceral sound that uses cultural lore and horror as metaphors for the complexities of identity and survival. By prioritizing emotional honesty and trusting in the universal language of passion, Saydie is solidifying their place in the genre's worldwide resurgence while remaining fiercely authentic to their roots

When last we caught up with The Colourflies, alt-rock titans from the Pacific Northwest, we asked them a bunch of serious questions, and they gave us back the most hilarious answers ever. So, we figured we would give them somewhat more ridiculous questions, just to see if they’d give us serious answers. It didn’t seem to work out.

The Colourflies are a prolific Pacific Northwest indie-rock fixture known for their signature "psychedelic-shoegaze" sound and an unwavering DIY ethos. Originally established in the Inland Northwest and deeply tied to the Washington state music scene, the band is led by the creative force of Matt Legard, whose four-octave vocal range and experimental guitar layering define their expansive "wall of sound." Their music balances raw, 90s-inflected grunge riffs with ethereal, melodic textures—a stylistic blend they have famously described as "the human soul being pushed through a razor wire fence." Over more than a decade, the group has evolved from local underground favorites to an international touring act.

Young and Doomed is a New Jersey-based alt-rock group that has been active since 2022, building a reputation for high-energy live performances and an authentic, no-nonsense attitude rooted in the local scene. Their sound is heavily influenced by early 2000s rock and the work of Frank Iero, evolving from these origins into a style characterized by heavy bass lines, energetic drumming, and a recent shift toward a darker, more expansive sound on their latest EP, Horror At Its Very Finest. While vocalist Thalia serves as the primary songwriter, channeling personal frustrations and negative experiences into emotionally charged lyrics, the entire band collaborates to ensure the music reflects their shared values and political stances. Ultimately, the band aims to leave listeners feeling alive or inspired by the raw intensity of their music, viewing their performances as a cathartic outlet for both themselves and their audience.

Born out of the vibrant Berkeley, California ska-punk scene in the late 1980s, Dance Hall Crashers distinguished themselves through their unique vocal arrangements and infectious energy. While many of their contemporaries relied on aggressive vocals or heavy brass sections, DHC centered their sound on the seamless, pop-sensible harmonies of co-lead singers Elyse Rogers and Karina Deniké. Rounding out the lineup - Jason Hammon on guitar, Mikey Weiss on bass and Gavin Hammon on drums - the band refined a style that blended upbeat two tone rhythms with the melodic sensibilities of 1960s girl groups and the driving power of 90s punk.

The band reached their commercial peak in the mid-to-late 1990s following the release of their definitive album, Lock, Stock and Barrels (1995). Tracks like Lost Again and Enough showcased their ability to craft radio-friendly hooks that resonated during the height of the third-wave ska revival. Despite a few hiatuses and lineup shifts over the decades, Dance Hall Crashers earned a reputation as a powerhouse live act, beloved for their charismatic stage presence and tight musicianship. Despite not having released a studio album since 2001's Purge, they remain an influential cornerstone of the West Coast ska scene, celebrated for bringing a sophisticated, melodic edge to a high-octane genre.

The punk band VOIKOT was born from a unique fusion of international experience and local resistance in 1988. Following their arrival in Concepción from Romania and Germany, brothers Romilio and Rene Bascur brought firsthand insights from the Eastern European and GDR punk scenes, where they had witnessed both Stasi repression and the fall of the Berlin Wall. This background found a natural home in the industrial spirit of Talcahuano, where they connected with local stalwarts like Arka Epiléptica and Machuca. Alongside musicians Luis González and Ariel Alegría, VOIKOT became a cornerstone of the underground movement, performing high-energy, skillful sets at legendary venues like Bilbao 101—the "CBGB of Chile"—and the Ecuador Park folk fair.

Despite their influence as pioneers of the Concepción scene, the band faced severe censorship and physical violence from the military regime, which forced them into a world of clandestine, anti-dictatorship performances. These harsh conditions and limited resources prevented the band from professionally recording their music during their original 1988–1992 run. However, on November 30, 2024, VOIKOT finally released their debut album, capturing the raw, socio-political fury of their youth. This release serves as a vital historical document, preserving the defiant, old-school punk spirit that helped navigate Chile's dark transition from dictatorship to democracy.

Jess Humphrey is an artist and photographer whose creative roots trace back to the 1990s and early 2000s hardcore punk scene, where she documented bands, tours, and the intimate, chaotic spaces that defined a generation of DIY music culture. As a teenager and young adult, Humphrey lived on the road and in venues, using photography as both a tool for connection and a way to understand identity, belonging, and freedom within a scene built on intensity, community, and resistance. Her images from this period capture not just performances, but the emotional undercurrent of the era: friendships, girlhood, devotion, and the raw beauty of life lived loudly and without permission.

After stepping away from music photography, Humphrey went on to build a successful career in fashion design and creative direction, where her eye for composition, color, and storytelling continued to evolve. She eventually returned to art full-time, now working primarily in glass, collage, and sculpture. Her current practice explores many of the same themes that first drew her to the hardcore scene: visibility, vulnerability, strength, and self-definition, translated through material, form, and color. Based in Corning, New York, Humphrey’s work bridges subcultural history and contemporary art, carrying forward the DIY ethos that shaped her early creative life.

The Lousekateers are a Westchester-based DIY punk band that evolved from a "Craigslist miracle" into a genre-blending group incorporating elements of bubblegum pop-punk, ska, and alternative rock. Formed after a long musical hiatus by vocalist Gingerval and drummer Danimal, the band’s name and identity serve as a rebellious critique of Disney’s corporate culture and glee club image. Their songwriting often explores themes of finding happiness amidst world chaos, overcoming toxicity, and navigating the social isolation of the suburbs, notably in releases like Sayonara, Dude and Life After Mandals. Primarily a touring act due to the limited local scene, they maintain a prolific, high-energy presence influenced by 90s icons and simple advice from punk veterans to never stop creating.

What do the Goonies, Chewbacca, and Star Trek’s The Borg all have in common? They’re all nerdy pop punk songs released by the Atlanta-based band, Hyperspace! Hyperspace is comprised of vocalist/guitarist Jason Kochis, drummer Ryan Paul, and bassist Kayvan Sarikhani who have been rocking out the southeast corner of the U.S. for a little over a decade. The geeky rock trio has performed at large and small venues alike, specifically ATL’s Star Bar, Criminal Records, multigenre convention DragonCon, and even embarked on a tour through Alabama, Tennessee, North Carolina, and Florida. In addition to live performances, Hyperspace has released 5 studio albums. Their most recently, "Distant Signals" is about aliens, Star Wars, time traveling robots, disillusionment, and failing relationships.

Formed in early 2024, the NYC-based extreme metal outfit Plague Master rejects narrow subgenre labels in favor of a "no influence" philosophy, resulting in a Frankenstein's monster of death metal, grindcore, and hardcore. Born from the social and political volatility of the COVID-19 era, the band utilizes a cynical, anarchist lens to critique government failures, class struggles, and the destructive nature of humanity. Their sonic identity is a collaborative grit, blending HM-2 powered Swedish death metal guitar tones with technical, crust-influenced bass, progressive drum fills, and raw, high-energy vocals. Known for their chaotic and inclusive live performances, the group aims to create an environment where the "working class" can vent their frustrations through high-intensity moshing, all while maintaining a confrontational stance against systemic inequality.

My Like Sunday is a punk rock/pop-punk band from Indonesia, formed in January 2020 in the city of Palembang. The band consists of D’Coky (guitar, vocals, Bagus (guitar), Fatrin Budiman (bass), and Aditz (drums). In 2020, My Like Sunday recorded and digitally released their debut single titled “Mati Atau Bertahan”, followed by their second single “Punk Love Story” and their third single “4th”, which was released along with an official music video. In 2022, My Like Sunday independently recorded and released an EP titled The End. The EP contains five tracks: “Mati Atau Bertahan,” “4th,” “Punk Love Story,” “Segitiga Berdahak,” and “The End.” The song “Mati Atau Bertahan” helped My Like Sunday gain wider recognition and led to live performance opportunities, including appearances at music events such as Soundsation. In 2025, My Like Sunday released their latest single titled “Kami Masih Ada”.

Amy Harris is a multifaceted creative professional whose work spans the realms of music, video production, photography, and social advocacy. A true jack of all trades, she seamlessly utilizes various mediums to foster connection, understanding and empathy. With over a decade of experience in the film and television industry, Amy has established herself as a skilled video editor and post-production specialist, particularly within unscripted content. Her musical identity is equally prominent; she is a guitarist, producer, and songwriter involved in multiple projects, where she blends technical production skills with raw artistic expression.

Trouble Bound are a Newburgh-based punk band out of the Hudson River Valley area of NY. The boys have been wielding their very own brand of punk rock fused with subtle rockabilly accents since 1999. Citing such influences as Rancid, Stray Cats, Motorhead, Still Little Fingers, Eddie Cochran, Social Distortion and The Ramones.

With songs written about daily-life, working class struggles, “what goes around comes around” karma forbodings, and even inner turmoil… It’s instantly obvious to the ear -the earnest quality and heart on the sleeve approach to songwriting. Telling the truth, the whole truth and nothing but the truth. Taking inspiration from the trials and tribulations of working the trades of the blue collar, to love gone awry and the importance of friends and family sticking together through thick and thin. These self-taught rockers have always had the music to cure what ails them and exorcise the angst of the daily struggle.

Eevie Echoes & The Locations started as humble open mic performers before cementing themselves as a bedrock queercore act of the Brooklyn punk scene. They specialize in seamlessly blending the personal and the political. As a mostly trans band, their music addresses the struggles of the LGBTQ+ community, and confronts naysayers who seek to erase queerness from existence while always bringing raw power, pure emotion, radical authenticity. The 4 piece consists of Eevie Echoes as lead vocalist, songwriter, and rhythm guitarist, Emma Taylor as backup vocalist and lead guitarist, Eliza Endless as backup vocalist and bassist, and, Nick Grasso as drummer. The four have had a fruitful music career, playing notable shows alongside bands like Delilah Bon, Jasmine.4.t, Brennan Wedl, Vial, Shamir, Teenage Halloween and Kaonashi, as well as numerous festivals and headliner shows around the USA including Stoopfest and Punk Island. The quartet's debut album "The Cons Of Being A Wallflower" gained them significant attention and showed off the group's diverse sound and ability to play with genre, dabbling in ska, chiptune, emo, garage rock, pop punk and grunge.

New York City’s Sonic Taboo is an instrumental power trio that defines their sound as a raw, multi-genre blend of stoner rock, heavy psychedelia, and doom. Eschewing traditional vocal structures to grant themselves greater creative freedom, the band crafts immersive "soundtracks" specifically designed to mirror the visceral experience of a motorcycle ride. Their live performances further this atmosphere by blending songs seamlessly into a continuous, energetic set accompanied by cinematic projections. Since their formation roughly six years ago, the trio—consisting of Paulo Cassio, Fernando Minichiello, and Dylan Lappin—has released two studio albums and a 2025 live record, building a reputation for unfiltered, high-voltage rock that avoids commercial polish in favor of sonic integrity and grit.

Old Knife is a trio from Northern Virginia that plays music influenced by NY and DC hardcore, post punk, no wave and metal. Maddie Franca (bass) and VJ Hyde (guitar/vocals) have been playing for around 3 years after working together at a summer camp. VJ asked Maddie if she wanted to join his band and she answered, “sure but I’ve never played bass.” VJ replied, “don’t worry I’m a music teacher” and the rest was history. She was a quick learner and Old Knife started playing all around the DC area shortly thereafter. Their third show was the at the historic DC summer concert series, Fort Reno. They were all set to record their first album at Inner Ear Studio with Don Zientara (Dischord Records) when their first drummer fucked around and found out, Vitriol style. So Maddie and VJ parted ways and VJ enlisted his old pal Devin Ocampo (Faraquet, Medications, Smart Went Crazy) to play drums on their upcoming debut EP “Slam the Door.”

Maddie and VJ still needed to find a permanent rhythm section to continue composing and playing live shows. That person turned out to be Ella Gallogly who is the front person of DCs post-prog dark metal band, Lud Roes. The three had met previously while sharing a bill engineered by Ryan Parsons from local garage rock band, Gas Station Dick Pills. Unlike boner pills purchased at Chevron, the chemistry was instant and the trio have been melting faces ever since. Old Knife is wrapping up their EP for release in early 2026. They will be playing around the DMV and out in VJs hometown (NYC) during the winter/ spring as well.