Leave The Emojis In: An Interview With We Might Die

We had a hard time writing the introduction to this interview - there is just so much we love about this band. The music. The lyrics. The songwriting. The attitude. The dynamic. The willingness to take chances. Say what you like about We Might Die - it’s a free country (kinda, at least as of this writing), but the best way we can describe them is very simple:

This band is cool as hell.

Las Vegas’ We Might Die is known for their high-energy performances and a sound that blends hardcore, punk, and alternative rock. The band includes Chance on drums, Travis on guitar, and Liv on bass and vocals. The band's members come from diverse backgrounds, with Chance having a long history in the New Mexican and Texas hardcore scenes and Travis bringing an East Coast flair. Their sound is characterized by angsty, blues-infused vocals, hard-hitting drums, and epic guitar shredding, all complementing heartfelt and angry lyrics that explore themes of anxiety and tough situations.

The title of the interview? We were asked to include some emojis. We were kind of like “ehh, not all that easy to stick emojis in a web page …” Then we went back and watched footage of Liv tearing up the stage.

We quickly included the emojis.

(photo credits: Papa Secchio, Amelie Haynal, Tiffani Salerno)

What's the story behind the name "We Might Die"?

The band: Chance was originally approached by someone back in October of 2023 to start a band. Liv would sing and Chance did drums. A couple months in, Liv was starting to write lyrics and she wrote a song called “We Might Die” and presented it to the group. It was a song about all the anxieties and irrational fears she faces daily. The original singer hated the song and was never comfortable singing lyrics she didn’t write, but also refused to let anyone else sing in the band too. It didn’t help that she didn’t see Liv as a permanent member of the band either. Travis joined right about that time and the original project was called Black Heart Emoji and had a poppier sound. Fast forward past a lot of drama and diva tendencies; Chance, Travis and Liv all agreed to kick out the original singer on July 4th 2024 and start an entirely different project with Liv as the main vocalist and bass player. The chemistry between the three of them musically was pretty insane, plus they just laugh non-stop when they are together. It was effortless. That Independence Day, we were all sitting in the living room after agreeing to start over (because the sound would be a lot more aggressive, harder, and faster so a new band made sense) and we were brainstorming band names. Liv brought up the song that the original singer hated and Travis loved the idea of "We Might Die" for the name. Chance especially loved the acronym WMD. After some brief googling, “We Might Die” was available on all platforms and no other bands had the name. We registered the website domain the next day and announced the new project.

Maybe one day we will actually do the original song idea that started it all.

The name resonated with all of them on a personal level but it is also a driving force for them to refuse to let their fears and anxieties control their life. They go to shows and perform despite their anxiety brains telling them not to. They all have had experiences where they were actively mid mental breakdown but still had to perform and were able to push past it.

So sure, we MIGHT actually die… but we chose to live.

Liv, your songs focus on personal anxieties, toxic masculinity, and going against the grain. What inspires you to write about these topics?

Liv (bass, vocals): People I meet and the experiences I have are what inspire me. I want to say things that other people might be too afraid to say or think it’s too harsh. I want to tell the full story for what it actually is.

Can you describe the band's creative process? Do you write songs individually or as a group?

Travis (guitar): I wrote some things by myself. The music for Surfers Lament and the music and lyrics for This Fearful Tulpa. Chance has thousands of finished and unfinished ideas. Some we come together as a band and build the song together. I’ll take an idea that Chance had and add a little bit to it like in the case of the verses of Knew Me. We wrote the breakdown together on that one. Liv wrote most of the lyrics for the album and wrote songs like Bloom, Get Out of My Scene (except the solo) and a lot of Rotting and restructuring songs to fit her lyrics. Chance has written the most music for the album I think. With XX all the music was written by him, except the guitar solo. B.I.T.B he wrote completely. I think we try to be pretty collaborative. I feel very heard in the album. I hope everyone feels the same.

Liv: we’re intellectuals 💯💯💯

Chance (drums): We don’t get in each other’s way and don’t bring egos into the songwriting process. Every idea by all of us is a valid starting point. Every idea is considered, including the songs that may not exactly fit the sound of the band on surface level. The lyrics and how we play the instruments has a huge impact on the final product.

What have been some of the biggest obstacles you've faced as a band so far?

Chance: One of the biggest obstacles we face as a band, especially here in Vegas, is that there are so few all-ages shows here. This severely limits how many shows we can play locally and all but ensures we will never open for a bigger band here in Vegas. Most of the shows here in Vegas are at 21+ venues.

The band: You can imagine how difficult it is to get any opportunities in Vegas with an underaged band member. Most of the venues here are 21+ and the all-ages scene is so minuscule that it narrows our opportunities even more. Even if we had members who are all older than 21, we feel it’s so important for the youth to have a safe space and we hate that kids are alienated from live music in this city. Kids like music too! And kids want to go to shows too! There’s still a way to be able to include kids when there is a bar, but many venues just flat refuse.

Another extremely frustrating aspect of our local scene is that the promoters for touring bands seem to only book their friends. We will most likely never get the opportunity to open for a band like Lambrini Girls or Scowl if they rolled through Vegas, even though we would fit the bill the most sonically, because we haven’t made friends with the bigger booking agents yet in the town. It can be extremely discouraging. This is the main reason why we are focusing more on playing regionally and only playing locally a couple times a year moving forward. We don’t want to over saturate our local audience and make our few shows in Vegas super impactful and special. This means we have to get creative and book these shows ourselves for the most part (with the help of the community we’ve found and built).

Another huge obstacle any original band faces in Vegas is that this is the entertainment capital of the world. There are literally a hundred shows or acts happening every single night in the city, so getting people to come out to your show is extremely difficult. The scene is fatigued for sure and they stretch the local bands very thin. We grinded our first year as a band (we played 34 shows this first year) and hardly turned down a show just so we could build our reputation and network. Now that we did that we do not feel the need to take every show that is pitched to us. Despite these setbacks, we’ve been able to meet some AMAZING people who have become die hard fans and supporters of WMD. They all collectively help propel this project forward and they keep our momentum going. The challenges have forced us to work harder and think outside of the box, for sure.

As a band, you've mentioned "going against the grain." In what specific ways do you feel your music or your message challenges mainstream ideas or expectations?

Liv: I think our music challenges that by never sugarcoating anything. All our lyrics are very blunt and honest but I think most of society are too afraid to say everything they think for fear of getting “cancelled.”

Chance: My approach to songwriting is very focused on not making something that sounds derivative. While I do appreciate the older bands in the punk genre and subculture, I make a conscious effort to write songs that don’t sound like Rancid or Pennywise or Green Day. If the best thing that someone can say about your band is that you sound like a band from 30+ years ago, I would find that to be an insult, not a compliment. I feel like every artist should strive to find their unique voice. I don’t mind someone saying that WMD reminds them of some other band, but “sounds like” is a different thing altogether. I’d rather someone say they don’t like our music than say that we sound exactly like 90s Green Day or something.

What artists or bands have had the biggest influence on your musical style?

Liv: For me personally, bands like Babe Haven, Destroy Boys, Lambrini Girls, and Pierce the Veil all heavily influence my writing. I take a lot of lyrical influences from artists like HONEYMOAN and Beach Bunny.

Chance: For me, I’ve been a huge fan of early metalcore and mathcore bands like Converge, Ed Gein, and Dillinger Escape Plan. I’m also a major fan of Mastodon and have been for years now. They’re probably my all time favorite band. I love Brann Dailor’s approach to drumming with his use of single stroke fills. I also love old thrash metal like Slayer, Exodus, and Overkill.

Travis: I like a lot of post punk types of sounds. Like Joy Division, Bauhaus, IDLES, Drab Majesty. Darker feeling music. I also like a lot of hardcore music. Like Bad Brains, Ceremony, Discharge.

Travis, your songs are said to provide a moody vibe. What kind of feelings or stories do you hope to convey through your music?

Travis: I like things that are strange and unusual. Things that are rejected or dismissed for being different or too difficult. My songs on the album are very much about my experience with ongoing mental illness. These are difficult things to express and are very hard for a lot of people to understand. Feeling very much like an outsider I think is much more common. I want to make things that scare people, that haunt people, that make people question what reality actually is. I think there is beauty in darkness just like in anything else.(cliche) Also I’m very angry at society, media, government, fascism and the brain dead monkeys that believe empathy is wrong.  

No band is an island, so to speak. Is there anyone out there who deserves a shout out for their support – friends, family? 

Travis: Terror Attack, the Scumbags, Wyatt and the Ashes, my family, Santa Muerte

The band: Huge shout out to our photographers for documenting everything: Papa Secchio and Amelie Haynal. The entire Scumbag crew: especially Jesus, Widget, Marshall, Hector, and Bowser. TERROR ATTACK! Bowser, Bubba, and Cam are so great and so supportive. Cody with Asteroid Records. Brad and Josh From Rebel Rhythm Collective. Fresa and the entire fam at Fresa’s Skate Shop . Both RRC and Fresa’s have been supportive from the very beginning and booked shows for us when no one else would.  Thank you for giving us your alleyways, garage, patios, and courtyards to play at. The ENTIRE Santa Muerte crew and their families. Thank you for welcoming us in your family from day one and showing up to every single show we’ve had.

How do you balance the roles of family and bandmates?

Chance: This can be difficult at times. I do try to compartmentalize and just be a band member when we’re practicing or playing shows. But sometimes I have to be a dad and bother Liv about doing homework or picking up after herself.

Can you discuss a specific song where the political message is particularly prominent? What inspired that track?

Chance: B.I.T.B. or Bullets in the Bathroom is one of our earliest songs. Liv wrote it after experiencing a couple of hard lockdowns at her school with a shooter situation. Thankfully it turned out to be an armed person in the area of the school but it still really scared her and so many other kids. After the lockdown, kids kept finding bullets in the school bathrooms. I don’t know if it was just a “joke” in bad taste or if there was some deeper meaning behind them but the school largely brushed it all under the rug. The school was more focused on dress code violations for the young girls, like showing their shoulders than in dealing with bullying, or actual threats to the school. That’s the core message in BITB.

Your sound is described as punk with "rage and moody vibes." How do you combine these two elements in your music?

Chance: From a songwriting perspective, we often juxtapose poignant lyrics alongside upbeat fast song structures. On our song “Surfer’s Lament” we have a surf-y driving rhythm pushing the song along with even an almost funk inspired breakdown in the song. But the lyrics themselves are very heartfelt and heavy at times. In other songs like “Rotting” we intentionally keep the music in a somewhat somber space to match the lyrical theme while trying to keep the energy up in the song overall.

Chance, with your background in punk, grind, hardcore, and metal, how have those genres shaped the sound of We Might Die?

Chance: I have always felt that grind bands tend to be some of the most chaotic and intense sounding bands. I try to bring that into my approach to songwriting with WMD. I use a fair amount of dissonant chords and structures in the music and sometimes even re-purpose old riffs that I wrote for a metal or grind project into something for WMD. Some of our new material even has panic chords and blast beats.

Beyond the themes in your music, what role do you believe musicians have in political discourse today? Do you feel an obligation to speak out on social or political issues? If so, which issues are the most important to you?

The band: We would definitely agree that it is our jobs as artists, musicians, or comedians to speak up about what is happening. Artists are a mirror to society and we reflect back what is happening. Without that mirror, society cannot gauge how it actually is, and what is truly happening. Censorship and the silencing of journalists and media means our artists need to be amplified even more. We need to use our stages and canvases to represent our more vulnerable communities and spotlight the harsh truths our systems are trying to silence or alter. All human rights issues are extremely important to us and the ICE raids to name a couple. Our immediate community is severely impacted by this administration's deportation efforts. We regularly support any benefit to help raise funds for our undocumented relief efforts. We also are active in our local Punx 4 Change efforts. The rise of fascism is frightening and the stripping of our freedoms is alarming. We feel obligated to use our privilege and platforms to do the most good for our local community and beyond. 

Travis: For me social and political issues over the past few years have become increasingly more about morality. Fuck both parties, we are dealing with a corrupt system that allows an authoritarian, pedo narcissist to destroy everyone’s lives and a large chunk of the voting population is down for it. Billionaires profit and the rest of the scum die. No one gives a fuck if you die but if you are above a certain class level all hell will break loose because wealthy people are more important than the rest of us.

Chance: I feel like punk music has never shied away from pointing out the flaws in society and politics like Travis brought up. We feel like it’s part of our job to say these things and bring attention to all of this whether it’s in our lyrics or in the things Liv says on stage. Although, lyrically and with our stage banter, Liv tends to focus on the culture of toxic masculinity. We feel like toxic masculinity tends to be the root issue for so many of the socio-political issues we face in our country today. So, in a round about way, we’re addressing political issues.

What is the meaning behind the title of your album, "HATE YOU"?

Liv: The meaning is kind of sarcastic. We intended it to be like a sign off on a letter. Normally you might see something like “love you, We Might Die” but this album was really to all the people we hate or dislike, in my opinion. We’re saying “hate you” to everything that inspired our songs. Asshole douchebags, anxiety, personal struggles, and anything else we really hate. 

If you had to describe your music to someone who has never heard it, what would you say?

Travis: It’s kind of hard to fully describe the style. We have a lot of elements from many different styles. Usually I just say it’s in the punk sphere. We have breakdowns like in a lot of hardcore. We are usually pretty fast. We have kind of melancholic moments. We don’t shy away from guitar solos. Some post punk sounds. Our songs are mostly high energy. Liv is a great singer so we try to let that shine instead of just screaming the whole time. I think it’s a pretty mixed style we’ve got going.

What’s your favorite track on the album, and what's the story behind the songwriting for it?

Liv: My favorite track on the album is Knew Me. Musically, this was one of the tracks that we all collaborated on, and it was built during a practice one day. Of course, we all collaborate on all the songs but this one I think was built off pure vibes. I think this song is my favorite because of the lyrics. I wrote this song about a friend I had a while ago which I thought was my best friend. Eventually the friendship ended and I finally realized that they had never actually known me. I was constantly trying to fit into their idea of me and I was confining myself so much to that box they put me in. The name is also a double meaning because it can be interpreted as “knew me” or “new me.” So thanks for the song, Mick. 

Given the mix of punk, grind, hardcore, and metal in your sound, how do you feel these genres lend themselves to expressing political or socially conscious messages?

Chance: I feel like we can utilize certain elements of these genres to further reinforce the thematic elements in the lyrics of some of our songs. We can use our song writing to build and release tension for the listener alongside the lyrics. A good example of this is in BITB. The middle breakdown parts has a straight, almost marching feel with the core lyrics of “You’re the problem. You’re the issue. You’re not the solution” being spoken over it. We then transition into a more straightforward breakdown with the guitars and bass joining in the riff plus huge bass drops and the lyrics being screamed. Really helps to drive home the frustration behind those lyrics.

You reference anxieties in your lyrics. How do you use your music as a way to confront or process them?

Travis: Anxiety is my life. I write what my experience is. There’s a ton of bullshit that happens everyday that breaks me and I continue to have to live. Usually when I’m writing lyrics it’s pretty therapeutic. Other times it’s difficult emotionally and mentally. Just the act of being in this band and playing shows is confronting the anxieties I feel. I don’t experience the illusion of safety. Everything can fall apart. At times everything has fallen apart. I feel that just continuing to move forward is taking steps to face or confront an, at times, harsh reality.

Liv: For me songs like Surfers Lament or Mixed Signals were big parts in me being able to actually process what I was feeling. Sometimes figuring out exactly how I'm feeling can be a challenge but putting it into a song where it doesn’t always have to be so literal can help. Surfers Lament mainly used water and waves as a metaphor for my anxiety because sometimes it feels like I’m sinking or drowning. I think it’s easiest for me to relate the feeling to something entirely different so I can understand it better. All the songs we’ve written all have strong emotions attached to them and it helps me to confront them. I struggle a lot with accepting that I'm not okay all the time so our music and community has helped me accept my own feelings and sometimes even mental state.

Liv, what advice would you give to other young female musicians who are just starting out?

I would tell them that they shouldn’t think of themselves as a “female musician” because I don’t think your gender should be the first word you use to define yourself. Focus on what makes you happy and if there are any misogynistic douchebags or incels that give you shit for what you’re doing you should turn that into motivation to kick their ass even more. Most of my motivation comes from rage, so use it. Let your music be true to who you are. You have a voice and it’s important to do something with it!

What do you want the audience to take away from a We Might Die show?

Travis: Mostly, I want everyone to feel fulfilled. There’s a ton of shit that happens to everyone that we all need a release from. Fuck your boss, fuck the system, fuck everything for one night. Feeling free is something to be treasured.

Liv: I want our audience to be able to feel like they’re not alone and have a community. Originally when I wrote most of our songs I thought my experience was just my own and no one else felt that way. I felt really alienated from everyone else and especially my peers. Now that we’ve built a community it was really nice and refreshing to see that I'm not the only one who struggles with anxiety and any other mental issues or tough situations our songs are about. It’s really nice to know I'm not alone and other people can relate to our songs too. I hope everyone else has that same experience.

The current political climate has a significant impact on many people. How has this influenced the band's creative process or the themes you choose to write about?

The band: Without the band, we would feel so incredibly hopeless and helpless during this hostile climate. At least we are able to channel all of our rage, fears, anxieties, and fury into the music and every show we play is cathartic.

We are also able to use our shows to help benefit our immediate community and raise funds for our local undocumented relief funds and Immigration Legal Aid efforts for those detained by ICE. Instead of screaming into the void, we can scream into our mics, inspire the next generation of musicians, and help everyone just be present and let all the noise disappear. Even if it’s only for a couple of hours, those shows are our fuel to keep going.

When it comes to writing, there is no topic off limits. Toxic masculinity, pedophiles, politics and the system, gun control, SA and being a female today, our own insecurities and personal struggles. We try to be raw and intentional but also write from a place from within. We aren’t trying to make the next viral song or moment. We write for ourselves and other people happen to resonate with the sound and lyrics. It helps us feel connected in a very overstimulating and isolated time.

Travis, as a multi-talented musician, how do you decide which instrument to focus on for each song?

Travis: I usually just get an idea for a riff or something for a certain instrument. Like a bass line or a guitar riff. I usually record it. Then I start making all the other parts to go along with it. There have been times that a song idea has fully formed in my head and then I just play all the parts like I thought it should go.

How do you prepare for a live show?

We have a very regular practice schedule even during our down times between shows. We typically practice twice a week, sometimes more to prep for a bigger show. We time everything out to make sure our set list fits in the time allocated to us. This includes breaks in the set list for talking, shouting out other bands, promo for merch/albums/etc, and introducing songs. We also practice crowd engagement moments. Clapping, chant with us, etc.

Do you have a favorite song to perform live, and why?

Chance: I really like performing B.I.T.B. It just has some fun drum parts and the bass drops in the breakdown are fun to trigger when we have a big PA system. Raise The Dead is a great song to start the set with since it just gets me so pumped to play.

Liv: My favorite song to perform is Knew Me because I really love the lyrics and the meaning so I can really get into the song. It’s also really fun because if people don’t know the song they think it’s done once we do the stop coming out of the bridge so we kind of get to jumpscare them. 😼😼😼

Travis: I like XX. It’s fun. I’m pretty confident that I can play it well enough to appease my standards every time.

Hypothetically, how much money would you have to be paid to play, let’s say, the Republican National Convention?

Chance: The obvious answer here is that there is no amount of money that would make us play at the RNC. Part of me wonders how quickly we could get kicked out and have our mics shut off if we did try to play. Offending MAGA turds any % speed run.

What are your goals for the band in the next year?

The band: We’ve applied to several festivals and already have our spring tour booked up to Seattle. We are very excited for our adventure in the PNW. We also have plans to release a couple more singles leading up to a deluxe version of, “hate you,” which is scheduled to release on the anniversary of our debut album.

We will be traveling more frequently, playing regionally once a month and continue building our community. We have some really cool opportunities coming up that we can’t discuss yet, but you can expect more harder, faster, and angrier music. We hope to do a run on the East Coast next summer, but that will mainly be determined by which festivals we land.

Are there any upcoming projects or new music you can tell us about?

Liv: Definitely expect harder, faster, and angrier music soon. I think our next album and upcoming songs will be very politically charged.

Travis: I wrote a song a little while ago about far right weenies that we are finishing soon. Hateful Nazis have no place with us and I just wanted to make that clear. I’m not catering to them and I want them to know this scene is not for them.

Chance: As Travis mentioned in another answer, I have so many song ideas in my backlog and I’m always continuing to write. As we were finishing our first album, both Liv and Travis expressed an interest in writing some faster, heavier songs. This kind of gave me a mandate to write stuff that is closer to what I’ve written in the past for my grind bands. I was also able to pull out some old ideas from years ago and use them for new material here. We have 4 new songs that we are working on right now and they all are still very much WMD just cranked up to 11 in speed, heaviness and ferocity.

Chance, how has being in a band with your daughter changed your perspective on music?

Liv: He thinks I’m epic.

Chance: I feel like Liv keeps me feeling young. She’s always listening to new bands and it encourages me to not get stuck listening to the same old bands from 30 years ago. It really helps to keep our sound fresh since I do a fair amount of the song writing. Liv brings her unique perspective via her lyrics.

What's one thing each of you has learned from the others since forming the band?

Chance: I’m always impressed by Liv’s ability to instantly switch into performance mode. She can be a quiet worried person right before we play but the second she steps on stage she just becomes a different person. Travis is insanely impressive in his ability to hear music and pick it up quickly. It takes us very little time to learn anything new we bring in for songwriting because he can pick it up almost instantly. I do think there’s something to be said about trust between musicians when on stage. Like, we all trust each other to do our specific parts and do them well. I never have to worry about whether Travis or Liv will get a certain part right or whether we will recover well from a broken string or some other technical issue.

Liv: I’ve learned that a lot of other people really suck. I didn’t really value my dad or Travis’s work ethic before I worked with some other people but once I realized our practice schedule, work ethic, and dedication wasn’t the norm for most local musicians here, I realized how important it actually was. I also learned that my dad and Travis don’t expect me to be such an “adult” and “professional” about practices and stuff. Obviously, I am still a kid, but with our previous band, Black Heart Emoji, it felt like I always had to be very professional and on-task (even if I hardly ever was). With the current dynamic I learned that neither of them actually expect that of me and I still get to have a lot of fun. During practices I get to talk about whatever drama is frustrating me at school and any new/fun things I’m doing/interested in even if they are more childish, such as showing off new Hot Wheels or Monster High dolls I got.

Travis: Chance, Stephanie and Olivia are the coolest people I’ve ever met. I’ve met many people that “want to start a band” or “want to start a business” or insert whatever and then a couple years down the line they’ve literally done nothing and are still saying the same things. Chance goes full force into making his musical goals happen. Steph started a business selling her artwork. Olivia has the best attitude of any 14 year old I’ve ever met. They know how to make things happen. And despite having major setbacks in their lives and major challenges on a daily basis they still push forward with confidence. They’ve made me realize that more things are possible in my life. I can start doing things to achieve my goals and work hard.

What's the most surprising thing you've learned about the music industry?

Steph (manager): I always knew it was a sausage fest- but man, it’s always refreshing when we get to play a lineup and Liv isn’t the only female on stage. The Venn diagram of pop punk bands and pedophiles is almost a circle… in Vegas at least.

Liv: Speaking of pedophiles…. circle as in circle pit? Circle pit as in moshpit? Moshpit as in Wheelchair Moshpit? Woah who said that… The wind is crazy. (editor’s note: Liv just came up with 6 great song titles right there!)

Outside of music, what are some of your hobbies or interests, as individuals or as a band?

Liv: Outside of the band some of my interests  are playing video games, doing makeup, art, and collecting trinkets, skulls, or any other cute/spooky things. As a band we also do fun activities together like coloring books, going to coffee shops, and we’re planning a “band slime night” where we all make slime. 

Chance: I love retro gaming and have a bunch of old consoles. I’ve also been a PC gamer for a long time. I also enjoy typical “dad” stuff like smoking meats on my smoker, tending to my citrus trees, and listening to audiobooks.

Travis: I like to paint and just make stuff in general. Sculpture, drawing, multi-media. I collect horror stuff or anything spooky. I’ve watched hundreds of horror movies. I collect stickers and put them on a big trash can. I call it my trash can of memories. I dirt bike. I travel quite often. I’ve made quite a few costumes in my life.

What's the most memorable fan interaction you've had?

Chance: For me, it’s this wrestling announcer guy wearing a kilt and playing the flute in the parking lot in Phoenix, AZ. He introduced each band on the show that night but did it like a professional wrestling announcer. It was great and really made the night so much fun. Also, another cool experience was people recognizing Liv when we went to see Pierce The Veil. We had people stopping to say hi and to take pictures with Liv.

What is your favorite song by another artist right now?

Liv: Some of my current favorite songs are Blinding Faith by Knocked Loose, Mirtazapine by Halley Williams, Die (and rot) and Gas Pedal which are both by Babe Haven!

Chance: My current favorites are Company Culture by Lambrini Girls, Antidote by Bad Nerves, At My Funeral by Spiritual Cramp, and Abomination by Thee Oh Sees

Travis: I’ve probably listened to Antidote by Bad Nerves a thousand times over the past few months. Also Nice Man by Spookystack. The whole Lambrini Girls album is an every track listen.

If you could open for any band, current or past, who would it be?

Chance: I would love to open for Lambrini Girls since I think it would fit really well. I think Spiritual Cramp would be so fun to play with. Love their energy on stage. Otherwise, Amyl and The Sniffers would be amazing too!

Liv: This is kind of silly but i’d love to open for Pierce The Veil because I look up to and admire them so much. An actually realistic band I’d like to open for would be Lambrini Girls or Amyl and The Sniffers. I also think Turnstile would be super cool to open for because their crowds seem to be really cool and I also really enjoy their music.

Travis: Playboy Manbaby or something over the top like GWAR.

Any final thoughts?

Liv: I like my answers. 😼😼😼💯💯🔥🔥🔥

Travis: Mighty Morphin Males don’t use emojis so….

Liv: YES THEY DO. I'm not mighty morphin anyways. I'm megazord male.

Links:

Official website: https://wemightdiemusic.com

Bandcamp: https://wemightdie.bandcamp.com/album/hate-you

YouTube: https://www.youtube.com/@WeMightDie-TheBand

Instagram: https://www.instagram.com/wemightdie.theband